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воскресенье, 29 января 2023 г.

Top 10 Picks for Last-Minute Valentine’s Day Gifts

Left your Valentine’s shopping a little late? Don’t worry, we’ll keep your secret… your amour doesn’t need to know where you got these perfect, last-minute Valentine’s Day gifts.


It’s never too late for a grand, romantic gesture, especially now with the help of same-day delivery!

1. Madeline Chocolate: One Dozen Roses


There’s no longer a need to choose between chocolates and flowers. Plus these aren’t your typical flowers, so they won’t be wilting anytime soon!

Buy here





2. Diffemely Music Box with an Eiffel Tower Engraving


Gift something different this year. The hand-operated music box is made entirely of native wood. Boasting a retro design style, it can be used as a beautiful tabletop decoration. Turn the joystick to play a beautiful melody.

Buy here




3. DIOR J’adore Eau de Parfum Spray


Discover J’adore, the iconic fragrance that embodies the ultimate expression of femininity. It blends a rare duo of Jasmine Grandiflorum from Grasse and Indian Sambac Jasmine with fruit and voluptuous sensuality.

Buy here





4. Sterling Silver Larimar Stud Earrings 


Why not gift your loved one with these sought-after gemstones? A pair of earrings that can be worn with any outfit. The closures have been beautifully designed using French wire…

Buy here

Last minute valentinte's gifts



5. Maxim’s de Paris – Assorted French Fine Biscuits


Spoil your partner with this assortment of decadent French biscuits (36 delicious pieces). Filled with cinnamon, thin almond biscuits and more! Since 1893, Maxim’s de Paris has developed a line of fine gourmet products in order to seduce the most refined palates.

Browse and buy here Last minute valentine's day gifts


6. Diptyque Votive: Set of 3 Candles


Set the right mood with this scented candle set which includes three different, mini-sized candles: Figuier, Rose, and Baies (Diptyque’s bestseller).

Buy here

Last minute valentine's day gifts


7. Christian Dior Homme Men’s 3.4-ounce Eau de Toilette Spray


“Wear Dior Homme the way you wear an elegantly sharp, modern suit.” – Dior. A smooth and intense fragrance made with noble ingredients, this is a quintessential Dior classic for men.

Buy here


8. Kayla’s Cake – Premium Valentine’s French Macarons


An excellent gift idea for anyone searching for a delicious treat with a dozen, or more, dreamy flavours. Order with Kayla’s cake for a free personalised message to be included with your purchase.

Buy here





9. Hodify – Marble Mug Set for Couples


Packaged in a stylish silk-interior box, we love that you can gift it as it is… no wrapping needed. The ceramic texture is matched with an elegant marble finish plus it’s easy to clean. Nothing says “we’re a couple” more than this set.

Buy here





10. Mixology Bartender Kit with Stand


Become the ultimate cocktail master and serve up a tasty concoction with Mixology’s bartender kit. Whip up some classics or get inventive; it’s all in your hands.

Buy here

Happy Valentine’s Day Hunting!


Need some more inspiration? Check out our other articles here:


  • Valentine’s Day: Make it a Date Night at Home – click here


  • Romantic Paris: Top Free Things to Do in the City of Romance – click here


Affiliate links have been used within this post.

 

среда, 19 февраля 2020 г.

KBIS 2020 Review: A Global Showcase in Kitchen and Bath Innovation

That’s a wrap! The annual Kitchen & Bath Industry Show (KBIS) concluded with a bang in Las Vegas last month, having seen thousands of designers attend in search of the hottest innovations and industry trends. In fact, some 90,000 attendees from all over the world explored the convention floor during the event, with 600 exhibitors showcasing the latest in bath and kitchen interiors. The scale and quality of the event surpassed previous years, and reviews of the event have been overwhelmingly positive.


“This was an amazing event, one of the best since 2008. The energy at KBIS was electric,” exclaimed Suzie Williford, executive vice president, industry relations and chief strategy officer for the National Kitchen and Bath Association.


“KBIS is the time we bring the entire industry together and this year was especially stellar. There was a constant flow of new and exciting products to see and insights to learn, whether walking the show floor, participating in one of our educational sessions, attending a KBISNeXT Stage panel discussion, or reconnecting with an industry colleague — KBIS 2020 was exceptional.”


KBIS 2020

KBIS 2020; image courtesy PWP Studio Corporate Event Photographers


Key moments at KBIS 2020 began before the show had even begun. On the eve of the convention, nearly 1,000 industry leaders, design professionals, VIPs and media attended the highly anticipated NKBA Design + Industry Awards at the Encore Resort.


Hosted by celebrity designer Kelli Ellis, More than 40 awards were given to industry professionals whose work is raising the bar in kitchen and bath design, showroom design, building and remodeling, outdoor living and Living in Place. You can see a complete list of the winners here.


The KBISNeXT Stage; image courtesy PWP Studio Corporate Event Photographers


Throughout the show, dozens of industry leaders shared their insights on the KBISNeXT Stage, giving expert views on hot topics pertaining to the interior design industry. Themes included Resilient Design, the Connected Home, Power in Brand Partnerships, Color Trends, Avenues to New Revenue and Designing for Wellness.


Arguably the biggest highlight of the show came on January 22 with the announcement of the Best of KBIS 2020 award winners. These products — and the brands behind them — represent the cream of the crop when it comes to specifying high end kitchen and bath interiors.


Kintsu Bath Collection by BRIZO


Kintsu Bath Collection by BRIZO scooped the Best in Show Award, for its unique form and creative use of luxury materials. Meanwhile, Plum was awarded Gold in the Kitchen category for its eponymous automatic wine dispenser, combining sleek, minimalist aesthetics with effortless functionality. Renowned manufacturer General Electric was also victorious, taking home Gold in the Bath category with its innovative UltraFresh Front Load Washer. You can see every Best of KBIS winner here.


KBIS 2020 set a new standard in showcasing brands at the forefront of kitchen and bath design, a critical area of architecture and construction. “We came into this year with a sold-out show floor, more than 500 returning exhibitors and 100 exhibiting for the first time,” said Amy Hornby, KBIS show director. “KBIS has experienced double digit attendance growth over the past two years, and hundreds of exhibitors are confirmed to exhibit at KBIS 2021, with many increasing their show presence.”


KBIS 2020; image courtesy PWP Studio Corporate Event Photographers


We can’t wait to see what’s in store next year! KBIS returns to Orlando in February 2021, showcasing the next wave of innovation in kitchen and bath design. To stay up to date with the event and surrounding stories, head to KBIS.com and sign up to save the date!


The post KBIS 2020 Review: A Global Showcase in Kitchen and Bath Innovation appeared first on Journal.

вторник, 18 февраля 2020 г.

Trump’s Neoclassicism and Macron’s Timber Towers: What Role Should Government Play in Architecture?

Architects: Showcase your next project through Architizer and sign up for our inspirational newsletter.

Earlier this month, an eight-page draft executive order titled, “Making Federal Buildings Beautiful Again,” was released. In it, the Trump administration decrees that neoclassical architecture be the “preferred and default” style of all new and upgraded federal buildings. 

A draft executive order by the Trump administration may rewrite the GSA’s Guiding Principals of Federal Architecture in favor of neoclassical design; image via Shealah Craighead/White House Flickr

According to The Architect’s Newspaper, this move would force the General Service Administration (GSA) to rewrite the Guiding Principles for Federal Architecture, a three-point policy document written in 1962 by former New York senator Daniel Patrick Moynihan. Moynihan’s principles condemned the instatement of an official federal architectural style. “Design must flow from the architectural profession to the Government, and not vice versa,” it stated. To Moynihan, a collaborative relationship between these entities, rather than a state-mandated one, was a key part of upholding democracy. 

However, it’s apparent that Trump seeks to disregard and abandon this notion. The administration believes that for decades the federal government has “largely stopped building beautiful buildings that the American people want to look at or work in.” The executive draft order particularly assaults Brutalism, Deconstructivism and their derivatives, which are excluded entirely. 

The J. Edgar Hoover Building, a Brutalist behemoth in Washington D.C.; image via FBI

According to The Architect’s Newspaper, “Other non-traditional buildings would be permitted to move forward only with approval from the president, who must first be provided with a detailed explanation of “whether such design is as beautiful… as alternative designs of comparable cost in a traditional architectural style.” Conversely, the administration praises the design of structures, such as the U.S. Capitol Building, the White House and the Supreme Court Building. And the document goes on to claim that buildings designed under Trump’s order would “convey the dignity, enterprise, vigor and stability of America’s system of self-government.”  

This level of control over the state’s architectural style takes a very authoritarian tone. Trump’s draft executive order raises a broader point relating to government-imposed design standards. According to The Times, French President Emmanuel Macron is aiming for all new public buildings to be built with at least 50 percent wood or another bio-sourced material by 2022. Macron also seeks to create 100 urban farms across the country in an effort to boost France’s large-scale sustainability measures. 

Though this move by the French government isn’t centered on architectural aesthetics like that of the Trump administration, some may argue it is another demonstration of governmental overreach, and is problematic on a number of levels. A mandate requiring the use of a particular material remains very acute and controlled, and it inevitably yields a particular aesthetic, just as Trump’s executive order threatens to do. The proposed percentage of construction required to be timber also appears arbitrary. Why no less than 50%? Why not more? In the absence of a scientific rationale for the figure, the answer is not clear.

Hyperion is set to be France’s first residential tower built from mass timber; image courtesy Jean-Paul Viguier et Associés

When pushing for more sustainable architecture, a more nuanced approach is surely to harness regulations requiring buildings to be built to measurable standards — LEED certification, for example, is designed to be applied globally. Stipulating minimum requirements for areas such as carbon footprint, energy efficiency, light levels and ventilation provides architects with a universal framework, while leaving room for experimentation and innovation. But, at least the French government is striving for improved performance and sustainability, while the U.S. is preoccupied with aesthetics.

While both Trump and Macron’s ambitions to steer the design of governmental buildings are sure to divide opinion, one thing is certain — they will have architects around the world debating the issue intensely in the months to come. Do you think the governments of the US and France are going too far with their aims? What is an acceptable role for governments to play in the realm of public architecture? Let us know your thoughts by emailing editorial@architizer.com.

Architects: Showcase your next project through Architizer and sign up for our inspirational newsletter.

The post Trump’s Neoclassicism and Macron’s Timber Towers: What Role Should Government Play in Architecture? appeared first on Journal.

понедельник, 17 февраля 2020 г.

This Month At Caroma, Sydney: The Caroma Bushfire Fundraiser

In case you need an excuse to visit Caroma on Collins, the iconic Australian bathroomware brand’s Sydney flagship in Alexandria, each month the team hosts a series of events and activations in the space designed by Archier to unite the design community; challenge current practices; and improve our future.


So what’s on this month?


 


Caroma Bushfire Fundraiser



Thursday 20 February, 6-9pm


Caroma on Collins
39 Collins Street, Alexandria


An exclusive, invitation-only fundraiser event to raise funds for the victims affected by the 2019/2020 bushfire season – has been extended to our loyal republic of Design Hunters. Caroma, in partnership with St Vincent De Paul, is inviting the business community, media, and household names and faces to come together for an evening in their Alexandria showroom hosted by Jamie Durie of Habitus House of the Year, with a special performance by Evie J Willie. Cocktails and canapes are provided generously by Caroma, while the $100 ticket prize and funds raised through a silent auction, raffles, and direct donations will go towards the imminent recovery effort.


Get a big group together and book your tickets here.


 


Architectural Tour of Mexico


19 April 2020


Caroma in conjuction with Mowa Studio presents an Architectural Tour of Mexico.


As an appreciator of architecture the joys are multifaceted. You will experience the pyramids, the historic centre, the churches, plazas and also the new and ingenious architecture designed by junior firms as well as the works of Pritzker prize winner Luis Barragan.


Join us in exploring and embracing the very best of Mexico city as an informed local instead of a tourist.


Learn more here.


The post This Month At Caroma, Sydney: The Caroma Bushfire Fundraiser appeared first on Habitusliving.com.

This Month At Caroma, Sydney: The Caroma Bushfire Fundraiser

In case you need an excuse to visit Caroma on Collins, the iconic Australian bathroomware brand’s Sydney flagship in Alexandria, each month the team hosts a series of events and activations in the space designed by Archier to unite the design community; challenge current practices; and improve our future.

So what’s on this month?

 

Caroma Bushfire Fundraiser

Thursday 20 February, 6-9pm

Caroma on Collins
39 Collins Street, Alexandria

An exclusive, invitation-only fundraiser event to raise funds for the victims affected by the 2019/2020 bushfire season – has been extended to our loyal republic of Design Hunters. Caroma, in partnership with St Vincent De Paul, is inviting the business community, media, and household names and faces to come together for an evening in their Alexandria showroom hosted by Jamie Durie of Habitus House of the Year, with a special performance by Evie J Willie. Cocktails and canapes are provided generously by Caroma, while the $100 ticket prize and funds raised through a silent auction, raffles, and direct donations will go towards the imminent recovery effort.

Get a big group together and book your tickets here.

 

Architectural Tour of Mexico

19 April 2020

Caroma in conjuction with Mowa Studio presents an Architectural Tour of Mexico.

As an appreciator of architecture the joys are multifaceted. You will experience the pyramids, the historic centre, the churches, plazas and also the new and ingenious architecture designed by junior firms as well as the works of Pritzker prize winner Luis Barragan.

Join us in exploring and embracing the very best of Mexico city as an informed local instead of a tourist.

Learn more here.

The post This Month At Caroma, Sydney: The Caroma Bushfire Fundraiser appeared first on Habitusliving.com.

среда, 12 февраля 2020 г.

10 Black Architects Whose Work Has Shaped America

February is Black History Month. This is a time to observe and celebrate the achievements of blacks and the central role that African Americans have played in the United States. It also provides an opportunity to reflect on America’s past as a nation built upon the institution of slavery and racial tyranny that has and continues to disenfranchise African Americans to this day. Across all facets of American society, people of color have been faced with innumerable obstacles to overcome in order to secure the concept of the “American Dream”.


The architecture industry has itself long been a homogeneous space, dominated by white men. African Americans have historically been deprived of exposure or completely barred from the craft altogether. Higher-education institutions and firms often excluded individuals entirely based on race alone.


black architects

Norma Merrick Sklarek in the office of Gruen Associates; image via SOM


The existence of black architects today is part of an arduous and continuing process, fueled by gradual socio-political change. However, progress has mainly been due to pioneering individuals whose brilliance, belief and bravery saw them overcome the many barriers that were in their way. Through them, some of the world’s most admired structures were created. Early black architects set the foundation for future generations, through which their legacies live on.


The 8th Annual A+Awards, dedicated to showcasing the “Future of Architecture”, is proud to have assembled a diverse jury, including the likes of Natsai Audrey Chieza, Christian Benimana and Kimberly Dowdell, three black industry leaders and strong advocates for greater equality in the profession. Below is a collection of some of America’s most notable black architects over time and those who are still making their mark.


Left: Architect Robert Robinson Taylor on the 2015 Black Heritage Stamp Series and Left: one of his projects; images via U.S. Postal Service and Getty Images/Stephen Saks


Robert Robinson Taylor


Robert Robinson Taylor was the first academically trained and credentialed black architect in America. He grew up in North Carolina where he worked as a carpenter and foreman for his father, Henry Taylor, who was a former slave. Taylor attended the Massachusetts Institute of Technology, becoming the school’s first black graduate. While a student, he met Booker T. Washington, who later recruited him to lead the industrial program and campus expansion of the Tuskegee Institute in Alabama.


The institute is an African American vocational school that is now a designated National Historic Site. Over the course of his career, Taylor designed more than 25 buildings on the Tuskegee campus, along with libraries, housing, museums, and other academic buildings across the United States. He also laid out architectural plans and devised a program in industrial training for the Booker Washington Institute in Kakata, Liberia.


Left: Julian Abele. Right: his rendering of Duke University campus; images via Duke University Archives and University of Pennsylvania Archives


Julian Abele


Julian Abele was the first black graduate of architecture at the University of Pennsylvania in 1902. He spent his entire career as the chief designer at the Philadelphia firm led by Gilded Age architect, Horace Trumbauer. Abele was working for Trumbauer when they received a commission to expand the campus of Duke University, a whites-only institution at the time.


He was the primary designer of the West Campus of Duke University, and his original architectural drawings for Duke have been described as works of art. Due to his firm’s policy of forgoing individual signatures on blueprints and plans, it’s been difficult to identify the full scope of his work. It wasn’t until after his death in 1980 that Abele’s work was recognized by Duke. In 2016 the university renamed a campus quad after the influential architect.


Left: Vertner Woodson Tandy. Right: Villa Lewaro home for Madam C.J. Walker; images via The Library of Congress


Vertner Woodson Tandy


Vertner Woodson Tandy is a lot of firsts. He was the first registered black architect in New York State, the first black architect to belong to the American Institute of Architects (AIA), and the first black man to pass the military commissioning exam. Tandy, while attending Cornell University, was also a founding member of the nation’s oldest African American fraternity, Alpha Phi Alpha.


As an architect, Tandy designed the 1910 St. Philip’s Episcopal Church in Harlem, the first black Episcopal church in New York. He also designed the 1918 Villa Lewaro for black self-made millionaire and cosmetics entrepreneur, Madam C.J. Walker. The Georgian-style residence is considered his masterpiece.


Left: Paul Revere Williams. Right: LAX Theme Building; images via American Institute of Architects and Flickr user thomashawk


Paul Revere Williams


One of the most well-known black architects, Paul Revere Williams’ 50-year career and over 2,000-designed homes has played a major role in shaping Southern California’s signature architectural style. His work is distinguished by a mix of styles and types, from hotels and restaurants to churches and hospitals. Williams studied architecture at the Beaux-Arts Institute of Design and trained at several prominent Los Angeles firms before starting his own practice. He became the first black member of the American Institute of Architects in 1923.


Also known as the “architect to the stars”, Williams designed the homes for an array of celebrity clients, including Desi Arnaz, Lucille Ball, Frank Sinatra and Barron Hilton. He defined the spaces that comprise the aesthetic of “Hollywood glamour”, which spread across the country. Williams is also the mind behind the iconic, space-aged Theme Building at the Los Angeles International Airport. Despite the countless barriers Williams faced due to the color of his skin, he remained steadfast and determined as an architect. He even learned how to draw upside down so he could position himself across the table from white clients who were uncomfortable sitting next to him when reviewing plans. In 2017, Williams was posthumously awarded the AIA Gold Medal.


Left: Norma Merrick Sklarek. Right: Pacific Design Center; images via Pioneering Women and Getty Images/Education Images


Norma Merrick Sklarek


Norma Merrick Sklarek was the first major African-American woman architect, a true trailblazer. Her best-known projects, including Terminal One at the Los Angeles International Airport (LAX) and the Pacific Design Center, reveal an idiosyncratic sense of line and color. Sklarek once illuminated the challenges she faced entering the profession, saying: “The schools had a quota and it was obvious, a quota against women and a quota against blacks. In architecture, I absolutely had no role model. I am happy today to be a role model for others that follow.”


Left: Moses McKissack. Right: National Museum of African American History and Culture; images via Tennessean and Getty Images/George Rose


Moses McKissack III


The grandsons of a trained builder and African-born slave, Moses McKissack III and his brother Calvin became the first and second (respectively) black architects licensed in their home state of Tennessee in 1922. Together, they formed McKissack and McKissack, the nation’s first black-owned architecture firm, and the oldest still in operation today. In 1942, they won a multi-million-dollar federal contract to design the Tuskegee Army Airfield, which was the largest project that had been awarded to a black-owned firm to that date. Today, the firm is known for its design and construction management, with one of its most recent and notable projects being the National Museum of African American History and Culture, designed by architect David Adjaye.


Left: Beverly Loraine Greene. Right: UNESCO Headquarters; images via Illinois Distributed Museum and Getty Images/Yann Arthus-Bertrand


Beverly Loraine Greene


Architect, engineer, and urban planner Beverly Loraine Greene became the first black female architect licensed in the United States, in Illinois, in 1942. She started her career in Chicago with the Chicago Housing Authority, but moved to New York City, as a result of racial prejudice and a subsequent lack of work. In New York, she worked on the Stuyvesant Town housing project, which at the time in 1945 barred African Americans from living in its apartments. Greene went on to work with some of the most renowned international modernists, including Edward Durell Stone on the Sarah Lawrence College arts complex and Marcel Breuer on the UNESCO Headquarters in Paris.


Left: Clarence Wesley ‘Cap’ Wigington. Right: Harriet Island Pavilion; images via Curbed


Clarence Wesley ‘Cap’ Wigington


Clarence W. ‘Cap’ Wigington was the first registered black architect in Minnesota and the first black municipal architect in the United States. Wigington was raised in Omaha, Nebraska, which is where he developed his architecture skills. He served as an apprentice under Thomas Kimball, a renowned local architect and future AIA president. Wigington opened his own practice in Omaha in 1908, but relocated to St. Paul, Minnesota in 1914 due to increasing racial resentment.


By 1917, he had become the city’s senior architectural designer, producing an extensive body of civic work for the city throughout the first half of the 20th Century. He designed schools, fire stations, park structures, municipal buildings, and other notable landmarks in St Paul. Wigington’s lasting legacy remains, with nearly 60 buildings still standing.


Left: Allison Grace Williams. Right: August Wilson Center for African American Culture; images via African American Design Nexus and Joshua Franzos Photography


Allison Williams


Over the course of her decades-long career, Allison Williams has worked on many major projects at some of the world’s most high-profile firms, including San Francisco’s Perkins+Will and AECOM, where she currently serves as the Design Director. Her best-known buildings, including the August Wilson Center for African American Culture in Pittsburgh, illustrate her commitment to maximizing the potential of the site. The August Wilson Center, for instance, is spacious, open and luminous despite the fact that it is situated on a tight street corner.


Right: Barnard Environmental Magnet School; images via Roberta Washington Architects


Roberta Washington


Established in 1983, Washington’s firm is driven by an architectural approach guided by choice in how we live, learn, heal and connect the past to the future. Working on projects that range from affordable housing, educational, cultural and healthcare, Roberta Washington Architects is one of the few African-American, women-owned architectural firms in the country.


Washington has had a multifaceted career, working internationally as a designer in Maputo, Mozambique, and serving as past president of the National Organization of Minority Architects, and is currently a Center for Architecture Foundation board member. She was made a Fellow of the American Institute of Architects in 2006 in recognition for her wide-ranging, impactful career.


Written by Nathan Bahadursingh with contributions from Pat Finn for passages on Norma Merrick Sklarek and Allison Williams, and Kweku Addo-Atuah for the passage on Roberta Washington


The post 10 Black Architects Whose Work Has Shaped America appeared first on Journal.

10 Black Architects Whose Work Has Shaped America

February is Black History Month. This is a time to observe and celebrate the achievements of blacks and the central role that African Americans have played in the United States. It also provides an opportunity to reflect on America’s past as a nation built upon the institution of slavery and racial tyranny that has and continues to disenfranchise African Americans to this day. Across all facets of American society, people of color have been faced with innumerable obstacles to overcome in order to secure the concept of the “American Dream”.

The architecture industry has itself long been a homogeneous space, dominated by white men. African Americans have historically been deprived of exposure or completely barred from the craft altogether. Higher-education institutions and firms often excluded individuals entirely based on race alone.

black architects

Norma Merrick Sklarek in the office of Gruen Associates; image via SOM

The existence of black architects today is part of an arduous and continuing process, fueled by gradual socio-political change. However, progress has mainly been due to pioneering individuals whose brilliance, belief and bravery saw them overcome the many barriers that were in their way. Through them, some of the world’s most admired structures were created. Early black architects set the foundation for future generations, through which their legacies live on.

The 8th Annual A+Awards, dedicated to showcasing the “Future of Architecture”, is proud to have assembled a diverse jury, including the likes of Natsai Audrey Chieza, Christian Benimana and Kimberly Dowdell, three black industry leaders and strong advocates for greater equality in the profession. Below is a collection of some of America’s most notable black architects over time and those who are still making their mark.

Left: Architect Robert Robinson Taylor on the 2015 Black Heritage Stamp Series and Left: one of his projects; images via U.S. Postal Service and Getty Images/Stephen Saks

Robert Robinson Taylor

Robert Robinson Taylor was the first academically trained and credentialed black architect in America. He grew up in North Carolina where he worked as a carpenter and foreman for his father, Henry Taylor, who was a former slave. Taylor attended the Massachusetts Institute of Technology, becoming the school’s first black graduate. While a student, he met Booker T. Washington, who later recruited him to lead the industrial program and campus expansion of the Tuskegee Institute in Alabama.

The institute is an African American vocational school that is now a designated National Historic Site. Over the course of his career, Taylor designed more than 25 buildings on the Tuskegee campus, along with libraries, housing, museums, and other academic buildings across the United States. He also laid out architectural plans and devised a program in industrial training for the Booker Washington Institute in Kakata, Liberia.

Left: Julian Abele. Right: his rendering of Duke University campus; images via Duke University Archives and University of Pennsylvania Archives

Julian Abele

Julian Abele was the first black graduate of architecture at the University of Pennsylvania in 1902. He spent his entire career as the chief designer at the Philadelphia firm led by Gilded Age architect, Horace Trumbauer. Abele was working for Trumbauer when they received a commission to expand the campus of Duke University, a whites-only institution at the time.

He was the primary designer of the West Campus of Duke University, and his original architectural drawings for Duke have been described as works of art. Due to his firm’s policy of forgoing individual signatures on blueprints and plans, it’s been difficult to identify the full scope of his work. It wasn’t until after his death in 1980 that Abele’s work was recognized by Duke. In 2016 the university renamed a campus quad after the influential architect.

Left: Vertner Woodson Tandy. Right: Villa Lewaro home for Madam C.J. Walker; images via The Library of Congress

Vertner Woodson Tandy

Vertner Woodson Tandy is a lot of firsts. He was the first registered black architect in New York State, the first black architect to belong to the American Institute of Architects (AIA), and the first black man to pass the military commissioning exam. Tandy, while attending Cornell University, was also a founding member of the nation’s oldest African American fraternity, Alpha Phi Alpha.

As an architect, Tandy designed the 1910 St. Philip’s Episcopal Church in Harlem, the first black Episcopal church in New York. He also designed the 1918 Villa Lewaro for black self-made millionaire and cosmetics entrepreneur, Madam C.J. Walker. The Georgian-style residence is considered his masterpiece.

Left: Paul Revere Williams. Right: LAX Theme Building; images via American Institute of Architects and Flickr user thomashawk

Paul Revere Williams

One of the most well-known black architects, Paul Revere Williams’ 50-year career and over 2,000-designed homes has played a major role in shaping Southern California’s signature architectural style. His work is distinguished by a mix of styles and types, from hotels and restaurants to churches and hospitals. Williams studied architecture at the Beaux-Arts Institute of Design and trained at several prominent Los Angeles firms before starting his own practice. He became the first black member of the American Institute of Architects in 1923.

Also known as the “architect to the stars”, Williams designed the homes for an array of celebrity clients, including Desi Arnaz, Lucille Ball, Frank Sinatra and Barron Hilton. He defined the spaces that comprise the aesthetic of “Hollywood glamour”, which spread across the country. Williams is also the mind behind the iconic, space-aged Theme Building at the Los Angeles International Airport. Despite the countless barriers Williams faced due to the color of his skin, he remained steadfast and determined as an architect. He even learned how to draw upside down so he could position himself across the table from white clients who were uncomfortable sitting next to him when reviewing plans. In 2017, Williams was posthumously awarded the AIA Gold Medal.

Left: Norma Merrick Sklarek. Right: Pacific Design Center; images via Pioneering Women and Getty Images/Education Images

Norma Merrick Sklarek

Norma Merrick Sklarek was the first major African-American woman architect, a true trailblazer. Her best-known projects, including Terminal One at the Los Angeles International Airport (LAX) and the Pacific Design Center, reveal an idiosyncratic sense of line and color. Sklarek once illuminated the challenges she faced entering the profession, saying: “The schools had a quota and it was obvious, a quota against women and a quota against blacks. In architecture, I absolutely had no role model. I am happy today to be a role model for others that follow.”

Left: Moses McKissack. Right: National Museum of African American History and Culture; images via Tennessean and Getty Images/George Rose

Moses McKissack III

The grandsons of a trained builder and African-born slave, Moses McKissack III and his brother Calvin became the first and second (respectively) black architects licensed in their home state of Tennessee in 1922. Together, they formed McKissack and McKissack, the nation’s first black-owned architecture firm, and the oldest still in operation today. In 1942, they won a multi-million-dollar federal contract to design the Tuskegee Army Airfield, which was the largest project that had been awarded to a black-owned firm to that date. Today, the firm is known for its design and construction management, with one of its most recent and notable projects being the National Museum of African American History and Culture, designed by architect David Adjaye.

Left: Beverly Loraine Greene. Right: UNESCO Headquarters; images via Illinois Distributed Museum and Getty Images/Yann Arthus-Bertrand

Beverly Loraine Greene

Architect, engineer, and urban planner Beverly Loraine Greene became the first black female architect licensed in the United States, in Illinois, in 1942. She started her career in Chicago with the Chicago Housing Authority, but moved to New York City, as a result of racial prejudice and a subsequent lack of work. In New York, she worked on the Stuyvesant Town housing project, which at the time in 1945 barred African Americans from living in its apartments. Greene went on to work with some of the most renowned international modernists, including Edward Durell Stone on the Sarah Lawrence College arts complex and Marcel Breuer on the UNESCO Headquarters in Paris.

Left: Clarence Wesley ‘Cap’ Wigington. Right: Harriet Island Pavilion; images via Curbed

Clarence Wesley ‘Cap’ Wigington

Clarence W. ‘Cap’ Wigington was the first registered black architect in Minnesota and the first black municipal architect in the United States. Wigington was raised in Omaha, Nebraska, which is where he developed his architecture skills. He served as an apprentice under Thomas Kimball, a renowned local architect and future AIA president. Wigington opened his own practice in Omaha in 1908, but relocated to St. Paul, Minnesota in 1914 due to increasing racial resentment.

By 1917, he had become the city’s senior architectural designer, producing an extensive body of civic work for the city throughout the first half of the 20th Century. He designed schools, fire stations, park structures, municipal buildings, and other notable landmarks in St Paul. Wigington’s lasting legacy remains, with nearly 60 buildings still standing.

Left: Allison Grace Williams. Right: August Wilson Center for African American Culture; images via African American Design Nexus and Joshua Franzos Photography

Allison Williams

Over the course of her decades-long career, Allison Williams has worked on many major projects at some of the world’s most high-profile firms, including San Francisco’s Perkins+Will and AECOM, where she currently serves as the Design Director. Her best-known buildings, including the August Wilson Center for African American Culture in Pittsburgh, illustrate her commitment to maximizing the potential of the site. The August Wilson Center, for instance, is spacious, open and luminous despite the fact that it is situated on a tight street corner.

Right: Barnard Environmental Magnet School; images via Roberta Washington Architects

Roberta Washington

Established in 1983, Washington’s firm is driven by an architectural approach guided by choice in how we live, learn, heal and connect the past to the future. Working on projects that range from affordable housing, educational, cultural and healthcare, Roberta Washington Architects is one of the few African-American, women-owned architectural firms in the country.

Washington has had a multifaceted career, working internationally as a designer in Maputo, Mozambique, and serving as past president of the National Organization of Minority Architects, and is currently a Center for Architecture Foundation board member. She was made a Fellow of the American Institute of Architects in 2006 in recognition for her wide-ranging, impactful career.

Written by Nathan Bahadursingh with contributions from Pat Finn for passages on Norma Merrick Sklarek and Allison Williams, and Kweku Addo-Atuah for the passage on Roberta Washington

The post 10 Black Architects Whose Work Has Shaped America appeared first on Journal.

вторник, 11 февраля 2020 г.

The Future of Architecture: 10 Designs Taking Adaptive Reuse to the Next Level

Now open for entries, the 8th Annual A+Awards is celebrating the Future of Architecture, giving global recognition to forward-thinking designers forging new solutions for our evolving world. Enter the A+Awards now to be considered for upcoming coverage.


Architizer’s A+Awards, the world’s largest awards program for architecture and building products, has a special theme this year — “The Future of Architecture” is aimed at unearthing the most forward-thinking projects around the globe, with a focus on architecture that responds to the most urgent issues of our time. The A+Awards is open for entries now, so be sure your firm submits its best projects to be in the running for global recognition this year:


Enter the 8th Annual A+Awards


When designing for the future, we must begin with our existing cities. The building sector accounts for roughly a third of global fuel consumption, and in turn, adaptive reuse projects are on the rise as our understanding of embodied energy grows.  Adaptive reuse refers to the process of reusing an existing building for a purpose other than which it was originally built or designed for. It is one way to breathe new life into old buildings, and at the same time, can conserve their historic value and local resources.


The following ten projects are award-winning adaptive reuse designs since the launch of the A+Awards program. As additions, renovations and careful insertions, they bring careful attention to structure, space and circulation. Focusing on the details, they give a glimpse into the future of architecture and how the built environment can evolve over time.


adaptive reuse adaptive reuseNiños Conarte by Anagrama, Monterrey, Mexico


2014 A+ Award for both Jury and Popular Choice


Monterrey, the third largest city in Mexico, is best known for its beautiful mountains and strong industrial backbone. In the heart of the city is Fundidora Park, a unique specimen of industrial archaeology (it was previously a massive steelworks and foundry established in 1900). Conarte reached out to Anagrama with the mission to create a space that would foster a love of reading and learning for children. The children’s library and cultural center was made inside a warehouse-like building, a multi-purpose, asymmetrical reading platform meant to simulate Monterrey’s mountainous topography.


adaptive reuse adaptive reuseDanish National Maritime Museum by BIG – Bjarke Ingels Group, Helsingør, Denmark
2014 A+ Jury Choice Award


The new Danish National Maritime Museum is located in Helsingør, just 50 km north of Copenhagen and 10 km from the world famous Louisiana Museum for Modern Art. The new 6,000 m² (65,000 ft²) museum finds itself in a unique historical context adjacent to one of Denmark’s most important buildings, Kronborg Castle, a UNESCO World Heritage site. Leaving the 60 year old dock walls untouched, the galleries are placed below ground and arranged in a continuous loop around the dry dock walls — making the dock the centerpiece of the exhibition — an open, outdoor area where visitors experience the scale of ship building.


adaptive reuse adaptive reuseBombay Sapphire Distillery by Heatherwick Studio, Hampshire, United Kingdom
2015 A+Award for both Jury and Popular Choice


The gin-maker Bombay Sapphire commissioned the creation of the company’s first in-house production facility, which is open for members of the public to visit. Formerly a water-powered paper mill, the site contained more than forty derelict buildings, many of historical significance, which have been regenerated and restored as part of Heatherwick Studio’s master plan. The plan proposed the creation of two new glasshouses to grow specimens of the 10 exotic plant species used in the Bombay Sapphire distillation process.


adaptive reuse adaptive reuseHigh Line at the Rail Yards by James Corner Field Operations, New York, NY, United States
2015 Popular Choice A+Award


Representing one-third of the High Line, the recently opened final section at the Rail Yards is one of the most iconic stretches of the High Line with expansive views of the Hudson River and the Midtown skyline. Section 3 builds upon the identity and success of the existing High Line, yet finds new ways to respond to the radically new 21st century context of the future Hudson Yards development. The High Line design is a collaboration between James Corner Field Operations (Project Lead), Diller Scofidio + Renfro, and Piet Oudolf. It is a private public partnership between The City of New York and Friends of the High Line.


adaptive reuse adaptive reuseHouse of Vans London by Tim Greatrex Architect, Station Approach Road, London, United Kingdom
2016 A+Award for both Jury and Popular Choice


The House of Vans London is the recently completed project by Tim Greatrex Architect together with Hellicar&Lewis. The new venue includes an art gallery, ‘Vans labs’ creative spaces, screening room, live music for 850 people, a premium café, numerous bars and a three tier indoor concrete skate park. The House of Vans London sits within the 150 year old brick arches below the railway lines heading out of Waterloo station and next to London’s famous graffiti street, Leake Street. The area of the site is approximately 2,500sqm and contains 5 separate tunnels.


adaptive reuse adaptive reuseCrystal Houses by MVRDV, Amsterdam, Netherlands
2017 Popular Choice A+Award


MVRDV’s Crystal Houses began its existence with the request of Warenar to design a flagship store combining both Dutch heritage and international architecture on the PC Hooftstraat, Amsterdam’s one and only luxury brand street that was previously primarily residential. MVRDV wanted to make a representation of the original buildings and found a solution through an extensive use of glass. The near full-glass façade mimics the original design, down to the layering of the bricks and the details of the window frames, but is stretched vertically to comply with updated zoning laws and to allow for an increase in interior space.


adaptive reuse Pinterest HQ by IwamotoScott Architecture, San Francisco, CA, United States
2017 Jury Choice A+Award


The new Pinterest headquarters in San Francisco is inspired by the redesign of the company’s web platform — clean, simple and intuitive. The building is a four story concrete structure that previously housed a John Deere factory in San Francisco’s SOMA district. The program is organized as porous, concentric layers around a large, central interconnecting atrium and stair. A key aspect of the design involved extending the existing two-story atrium to the ground floor, creating a central stairwell at the building’s center that visually connects all four floors.


adaptive reuse adaptive reuseEmpire Stores by STUDIO V Architecture, Brooklyn, New York, NY, United States
2018 Popular Choice A+Award


For over 150 years, between the iconic Brooklyn and Manhattan Bridges on the Brooklyn waterfront, lay seven historic brick structures. These Civil-War-era structures were named after their use as coffee “stores” or storage warehouses, and for the epithet of a growing state: the Empire Stores. Studio V’s designs inject new life into the structures. The designs combine creative contemporary architecture with exacting historic rehabilitation, and combine overlapping uses with public spaces that reveal the inhabitants and historic structures.


adaptive reuse adaptive reuse7 St. Thomas by Hariri Pontarini Architects, Toronto, Canada
2018 Popular Choice A+Award


7 St. Thomas harmonizes retail and commercial design through an interplay of form and light, blending Victorian and contemporary materials to create a unified work. Six heritage townhouses are integrated into a three story podium, with a six story tower above. The development houses retail at ground level and condominium office spaces throughout, blending high design, ecological responsibility, and civic enhancement. Located around the corner from the busy Bay/Bloor intersection, the design was born from a desire to seamlessly integrate into the existing fabric of the neighborhood and to contribute to the urban environment.


adaptive reuse adaptive reuseCoal Drops Yard by Heatherwick Studio, London, United Kingdom
2019 A+Award for both Jury and Popular Choice


Heatherwick Studio was commissioned by the King’s Cross Development Partnership to revitalize the site into a retail quarter. They wanted to celebrate the unique texture and history of the industrial buildings while also creating a unified new public space and retail destination. Their challenge was to transform the dilapidated buildings and long, linear site into a lively retail precinct where people could gather and circulate with ease. Rather than simply making a boxy element between them that would have collided with the geometry of the existing roofs, the ‘kissing’ roofs rise up and stretch towards each other until they meeting together.


Got an amazing adaptive reuse project of your own completed in the last 3 years? Submit it for a 2020 A+Award to be in the running for international publication by Phaidon, huge online exposure and the iconic A+Awards trophy!


Enter the 8th Annual A+Awards


The post The Future of Architecture: 10 Designs Taking Adaptive Reuse to the Next Level appeared first on Journal.