Can fashion weeks ever be sustainable? That was a major question that has taken centre stage again this fashion month. The answer, in short, is definitely not. Not as influencers and editors fly from Copenhagen to New York to London, Milan, and Paris to take in the many highly produced shows. At the same time, it does feel like a wave of positive change is happening at long last. From seeing vintage bags in place of «cult» gifted bags through to designers using their platform at fashion week to make an environmental statement, maybe the major trend of sustainability is having some lasting impact—mostly because we have no choice.
I do believe in the power of trends to generate change. Of course, I don’t want the topic of sustainability to be a fleeting chapter in fashion’s various histories; I do feel like complex topics of industry change really do need to become popular to be heard, understood and improved upon.
As long as sustainability is in the open conversation, we can ensure that sustainable fashion is accessible and intersectional and aim to get the topic of sustainable fashion in the hands of governments who can make policy change.
The sustainable fashion conversation definitely began small, thanks to the hard work of grassroots organisations and us, the consumers, demanding better. This fashion month, major leaders in the industry really stepped up to echo our voices and action response.
In Copenhagen, Cecilie Thorsmark, Copenhagen Fashion Week’s CEO, started 2020 with the launch of an official Sustainability Action Plan with proper guidelines for brands and designers to stick to. She said, «We need to rethink and reinvent the role of fashion weeks. We’re already witnessing the devastating impacts of climate change, so anyone in the industry needs to transition and change the way business is done and do this urgently. Fashion weeks are no exception.» This came alongside her bans of plastic water bottles and prioritising the use of electric cars to get to the shows.
In London, the British Fashion Council brought back the Positive Fashion Space to 180 the Strand. Once again, the space featured designers who are working toward a sustainable future in really diverse and wonderful ways. Though I feel like this could be better integrated with the whole of London Fashion Week, like the standards set in Copenhagen, designers like Phoebe English set the bar high among the main lineup, only using remnants of fabric from other designers.
It was amazing to see sustainable fashion pioneers like Livia Firth and Patrick Duffy taking up space alongside a pack of young designers and design graduates like Patrick McDowell, Emily Frances Barrett and Joao Maraschin, who are challenging the status quo in their work.
During this London Fashion, Amy Powney, the designer behind the sustainable luxury brand Mother of Pearl, launched the Fashion Our Future campaign. The campaign opened with a glittery evening hosted by British Vogue, with guests including fashion’s favourite influencers and models like Adwoa Aboah and Camille Charrière.
I hope this campaign, and the influencers who rallied behind Powney to celebrate the launch, enables people to really think about the street style cycle they participate in too. What excites me about the social media-led campaign is that the website offers people a number of ways to pledge, highlighting that there are a number of ways to be more sustainable in our consumption habits.
Danish brand Carcel opened Copenhagen Fashion Week and didn’t show a single new piece of clothing. They used their fashion-week debut to make a statement, presenting new ideas instead of new clothes, and invited the audience to walk the runway in the clothes they were already wearing.
The brand’s founder wrote on Carcel’s blog after the show saying, «Fashion is able to revolutionise mindsets and spark desire. And when it’s best, it’s at the forefront of progress. That’s why we believe that we now need to say goodbye to what we used to promote on the catwalk. We need a cultural revolution in fashion, a new perception of what is beautiful and cool which is aligned with the world we want to live in. More than ever, we need to meet and use this platform to share new ideas and new visions for where we want to go next.» Amazing.
There was a minute there, about a year ago, when it felt like street style trends were just too much to keep up with. And then all of a sudden, the trend was to wear beige (which hasn’t stopped).
Collina Strada is one of the designers making New York Fashion Week really exciting—alongside Eckhaus Latta and Christopher John Rogers—while also making sustainable fashion just really fun. Her collection this season included deadstock materials, upcycled tie-dye sweatshirts, rhinestone-encrusted water bottles, and fabric made from rose petals. The casting of her shows have always felt refreshingly real and cool too, which is incredibly important.
I’ve loved seeing the initiative from editors—including our very own team Who What Wear UK—on digital platforms use their fashion week wardrobes to talk about change. From upcycled pieces to vintage to even a team full of editors who are trialling renting, there is a lot of power in the people who write the narratives of fashion taking charge.
Marine Serre has pioneered upcycling for a few seasons now, and she stays ahead of us all by fashioning a future that is politically charged and optimistic, as well as honestly beautiful. Her intergenerational casting places the responsibility on us all to think about the future of our planet, while she also just offers an entirely new way of looking at future fashion.
These highlights are, of course, just that: highlights. We need to continue to talk about sustainable fashion at fashion weeks so that the future of sustainability is accessible to everyone and inclusive of everyone; the industry needs to continue to include sustainable fashion voices that have pioneered the movement. These moments would not have happened five years ago and they’ve made me optimistic about a more transparent future for fashion weeks. We can use these platforms to create change, create new ideas, and show the world what fashion really can be.
Next: I Mostly Shop Secondhand—Here Are the Best Pieces From Etsy, Vestiaire, and eBay
To read the article in English. whowhatwear.co.uk
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